Topic: Writing a Play Script and Teaching How to Write One
Speaker: Guy Chenzi
Time: Wednesday, May 25, 2: 00 PM
Zoom Meeting: https://uni-goettingen.zoom.us/j/62861416226
Meeting ID: 628 6141 6226
Language: Chinese

Content：
1. Can we “learn” how to write a play? What are the pros and cons of playwriting “apprenticeships”?
2. Can we “teach” how to write a play? Is teaching playwriting equivalent to play diagnosis?
3. What is dramaturgy in the opinion of a playwright? How did I write “Hudec”?

Short bio:
Guo Chenzi, M.A., associate professor of Shanghai Theater Academy. Her works written include the dramas performed in black box theaters “Don’t Ask Who I Am”, “Love Slimming”, “Resurrection”, the musical drama “Zhong Kui”, “A Moment Is Not Forever”, the musical “Jews in Shanghai” (cooperation with others), stage plays “Hudec” and “Clear Ripples”, etc. She has published books Kunqu Opera: The Past Life I See in This Life, A Moment Is Not Forever – Guo Chenzi’s Drama Collection, The Curtain Opens – Guo Chenzi’s Drama Critic Collection and Chenzi Watching Dramas.

Organizers:
The Department of Theater, Film and TV Arts at Nanjing University
The Department of East Asian Studies, the University of Göttingen

Partners:
The Center for Modern East Asian Studies at the University of Göttingen
The Academic Confucius Institute at the University of Göttingen
The Journal of Ying Ming Theater
The Chinese Students and Scholars Association in Göttingen

写剧本，教写剧本
——编剧与编剧教学

1. 写剧本能“学”吗？编剧“学徒制”的利与弊。
2. 写剧本能“教”吗？编剧教学=剧本诊断？
3. 编剧眼中的Dramaturgy与《邬达克》的写作。

个人简介：
郭晨子，文学硕士，上海戏剧学院副教授。
编剧并上演的作品主要有小剧场话剧《别问我是谁》《爱情瘦身》《还魂记》、音乐话剧《钟馗》《瞬间不是永远》、音乐剧《犹太人在上海》（与人合作）、舞台剧《邬达克》《清清涟漪》等。出版有《昆曲 今生看到的前世》《瞬间不是永远——郭晨子剧作集》《大幕拉开——郭晨子戏剧评论集》和《晨子看戏》

组织：
南京大学戏剧影视艺术戏
哥廷根大学东亚系

合作：
哥廷根大学现代东亚研究中心
哥廷根大学学术孔子学院
《嘤鸣戏剧》
哥廷根大学中国学生学者联谊会