Woche von Veranstaltungen
Contemporary Theater Art” Seminar series No. 12: „Writing a Play Script and Teaching How to Write One“
Contemporary Theater Art” Seminar series No. 12: „Writing a Play Script and Teaching How to Write One“
Topic: Writing a Play Script and Teaching How to Write One Speaker: Guy Chenzi Time: Wednesday, May 25, 2: 00 PM Zoom Meeting: https://uni-goettingen.zoom.us/j/62861416226 Meeting ID: 628 6141 6226 Language: Chinese Content： 1. Can we “learn” how to write a play? What are the pros and cons of playwriting “apprenticeships”? 2. Can we “teach” how […]
Lecture: Understanding the Alienated Self: The Interest in and Problematization of the Village in the Post May-Fourth Period 认识被化外的自我：后五四时期对乡村的关注和农村的问题化 Luo Zhitian 罗志田 (Distinguished Professor), History Department, Sichuan University
Lecture: Understanding the Alienated Self: The Interest in and Problematization of the Village in the Post May-Fourth Period 认识被化外的自我：后五四时期对乡村的关注和农村的问题化 Luo Zhitian 罗志田 (Distinguished Professor), History Department, Sichuan University
May 27, 2022, 10:00 AM Amsterdam, Berlin, Rome, Stockholm, Vienna On Zoom: For registration, please use this zoom link. The lecture will be held in Chinese. 乡村曾被视为中国社会与文化的基础，在近代改称“农村”后，逐渐被认为出了问题。农村怎样成为“问题”及其所成的“问题”本身，既伴随着中国现代性展开的进程，也因其间的“现代”眼光所生成。这背后的一个要因，是城市的兴起和城乡的对立。由于城市被视为国家的主体，原来作为广土众民代表的乡村逐渐沦为化外，不复能表述自己。在五四后出现一种读书人想要了解自己国家的倾向，先是开始关注已近于未知的农村，观感褒贬参半；接着是被关注者逐渐问题化，见解贬多于褒；最后是问题化的农村升级为“破产”或“崩溃”，表述以贬为主。其间一个重要特点，是一些人因缺乏了解而把常态看成变态，甚至把国家整体的危难移植到农村身上。 This lecture is part of the lecture series New Perspectives on Modernity in China. . Organizers: Prof. Dr. Axel Schneider, University of Göttingen Prof. Dr. Thomas Fröhlich, University […]